Darkhouse Family - The Offering

GOOD MORNING. Last week my buddies Don Leisure and Earl Jeffers aka the mighty Darkhouse Family put out a record on First Word Records and it's truly great. It's got a ton of my friends playing on it like Daf Davies (drums) and Davey Newington (drums, synths) of Boy Azooga, Jessy Allen (vocals) Esther (vocals), Jonathan Powell Field (violin) and Charlotte Church and more. If you like hip-hop, beats and funk, press 'play' below and go check it out NOW. Don't be a silly billy ๐Ÿš€๐Ÿš€

Ed ๐ŸŽš๐ŸŽ›โค๏ธ 

The Science Of Art: Six Quick Mix Tips

Boom, no time to mess around, here we go: 

  1. Songs with โ€˜fat bassโ€™ often actually have way more mid range than bass. If it sounds big and โ€˜buzzyโ€™, itโ€™s all about the mid-range. It's all about the mid-range in general - bass and treble are for kids.
  2. High pass filter everything that doesnโ€™t need to have any lows in it. Just do it. I bet it sounds better.
  3. Donโ€™t forget to low pass tracks to cut off unneeded top end sizzle. Cutting top end off (drum) room mics is often pretty sexy.
  4. Turn everything down. In the digital world, red is (almost always) just bad. Make sure all of your tracks are recorded @ 24-bit and with a ton of headroom. All channels shouldnโ€™t be clipping when faders are at 0, especially the master fader. Get your tracks PEAKING at -6 to -8dBFS and everything will sound grand.
  5. Work hard to learn to interpret what people REALLY mean. Sometimes โ€˜this needs more bassโ€™ actually means โ€˜thereโ€™s too much trebleโ€™. โ€˜Turn down the harsh top endโ€™ can mean the 3-4KHz area, not 10KHz+
  6. Chorus (the effect) isnโ€™t just for Spandau Ballet lovers (like me). Use them with a low LFO rate to get super wide stereo sounds. I recommend Soundtoys' Little MicroShift, an Eventide H3000, a Yamaha SPX90, or simply the stock Logic chorus plugin (Super Wide preset). I'm sure whatever you have in your DAW will work fine. Mono -> Stereo, slow LFO speed, bosh, sorted.

There. Enjoy.

Ed ๐ŸŽš ๐ŸŽ›  โค๏ธ

Boy Azooga's First Single - Face Behind Her Cigarette

Hereโ€™s the first Boy Azooga single out on Heavenly Recordings - Face Behind Her Cigarette - I produced / mixed / engineered this track - it was mastered by Guy Davie @ Electric Mastering. The video was made by Toby @ On Par Productions and was actually shot in space, which is mad. Hope you like it x

Ed ๐ŸŽš๐ŸŽ›โค๏ธ

P.S. Just found out it was Huw Stephen's 'Track of the Week' on Radio 1 last night ๐Ÿค˜๐Ÿผ

P.P.S Special thanks to the wonderful Steffan Pringle who engineered the drums with us on this album! That man knows how to tune a snare.

Boy Azooga Sign to Heavenly Recordings

Davey Newington - one of my favourite humans on the planet - and his band Boy Azooga have signed to the mighty HEAVENLY RECORDINGS. I produced / mixed / engineered the album - it took years to craft, recorded in stolen moments and lots of late night sessions. We recorded, re-recorded, and re-worked until the Boy Azooga sound was formed. When wrapping up the album, we had a few talks and figured out a goal - and then a plan - to try to get the album into the ears the folks at Davey's dream label - Heavenly. Thankfully, they loved it. A special, huge thank you to Aimee-Jade-Hayes for putting the two of us in touch, all those years ago. Love you! โค๏ธ 

The album will be out early in 2018 - I think itโ€™s really a rather amazing and I'm really proud of him. The band are so incredible live - amazing musicians - Davey on Vocals and Guitar, Daf Davies on Drums, Sam Barnes on Bass and Guitar, and Dylan Morgan on Keyboards and Guitar. All of them on backing vox. All of these guys can play approx 43 instruments and they're better than you at all of them.

There's a lot more coming that we can't wait to show you. Onwards to album II ๐Ÿค˜๐Ÿผ๐Ÿค˜๐Ÿผ

Ed ๐ŸŽš๐ŸŽ›โค๏ธ

BOY AZOOGA x BUZZARD SPLIT 12" - 13TH OCTOBER

Verrrrrry happy to see this coming out - a double EP I mastered featuring the amazing Buzzard on one side and three wonderful Boy Azooga tracks I recorded/produced/mixed/mastered on the other, out on Bubblewrap Collective on October 13th! Amazing artwork collab with Trashman Art x Carlota ๐Ÿ’ƒ๐Ÿป๐Ÿ’ƒ๐Ÿป๐Ÿ’ƒ๐Ÿป

The Science Of Art: Tip #0003 - Narrow EQ Cuts Will Save Your Life & Make You Rich

Tip 3.) Cut down on nasty/harsh ringing in the 3-4KHz area - it can/will make your tracks sound sharp and amateurish. Learn to work with an EQ band set to a super narrow Q (Q = EQ bandwidth) to hulk smash horrible frequencies; it works great on drums (video ex.1: drum room mics), guitars (video ex: 2) and especially lead vocals (video ex. 3).

Obviously you could automate on/off on certain sections, or adjust the gain/amount of cut on certain sections (e.g. the singer sounds fine until they start belting it out). The EQ curve might โ€˜look wrongโ€™ but it often sounds fantastic, especially if you have a frequency hunter EQ like PSP Neon (used in the below example) or FabFilterโ€™s Pro-Q; experiment with Linear Phase EQs, too. Iโ€™ll dip out 20dB on a lead vocal, no problem - I'm fearless, like a tiger. Try it. Donโ€™t be scared homie. ๐ŸŽš ๐ŸŽ› โค๏ธ

The Science Of Art: Tip #0002 - De-Essing Vocals

Tip 2.) De-ess vocals the grown up way: manually zoom in on the waveform and chop out the ssssibilant parts (theyโ€™re easy to recognise, as you can see from the GIF below) and reduce the clip gain on that region - around 6-8dB is usually a good starting point. You might need to apply a little crossfade to address any clicks/pops when overlapping the normal region. A little more time consuming, but by far the best method. You can probably get a whole track done in 10-15 minutes once you become proficient - rap vox may take a little longer. Donโ€™t be lazy.

Of course, this will be โ€˜pre-insertsโ€™ (i.e. before your plugin chain), so if youโ€™re using a lot of compression and/or distortion, go right ahead and try a de-esser plugin near the end of your chain, too. 

Finally, be sure to check the sibilance once a ton of compression has been applied to the lead vox, as well as on the master bus. Once the song compressed and limited, it will become a lot more apparent.

With Love,

Ed  ๐ŸŽ›๐ŸŽšโค๏ธ 

The Science Of Art: Tip #0001 - Side-chaining

Tip 1.) Side chaining: not just for crazy electro kids with the UNF UNF UNF UNF and the donks. Use it to knock a couple of dBs off your bass line when the kick hits, helping it cut through and keep your master bus from exploding. Used subtly it wonโ€™t really be noticeable, and you could even use it so that you can make your track louder overall - but I am hoping that you use these tips for good and not evil.

It doesn't have to be much:

With Love,

Ed ๐ŸŽ›๐ŸŽšโค๏ธ 

The Science of Art: Tip #0000

A little while back I started jotting down a bunch of short mixing/mastering/song-writing and production tips that Iโ€™ve learned over the past few years. I thought it might be a nice idea to share these, one or two a day, until the end of time. Perhaps I'll even post them all in one post, one day.

I know that there are tons of other accounts (Twitter, blogs, etc) that do this and Iโ€™m not trying to suddenly pretend to be some sort of sage on music creation. Some people aren't following me to try to learn how to make music, and yes, social media is gross. But if one of them help anyone, then hopefully it's useful. I do hope that's OK with you?

Really, I created these as reminders for myself - I still look at them all the time when Iโ€™m struggling - but perhaps theyโ€™d be useful for anyone that makes music and cares to read them. Theyโ€™re might be a specific piece of direct advice/suggestion, or it could be an Eno-esque Oblique Strategies style snippet, to encourage a bit of thought and intentionally left open to interpretation. Context is not required/lack of context is encouraged.

I do hope you find these useful - if youโ€™d like me to expand on any of them (I'll go as in depth as you like, and post it here, with examples), just get in touch: ed@edboogie.com

Have fun and make great music โค๏ธ 

Ed 

Instagram

I have an Instagram account and this is a social media posting to inform you about it and to encourage you to follow me. I'm like the Dan Bilzerian of music.

Pink Guitar

Every time my brother goes to to the states, he seems to come back with a Strat. This time was no different. The new one is a Limited Edtion Custom Shop, 'Wildwood 10' in shell pink, with a light relic. It's got a humbucker in the bridge position, which I think needs to go, but otherwise it might just be my dream guitar.

My brother likes Strats ยฏ\_(ใƒ„)_/ยฏ

A photo posted by Eddie Al-Shakarchi (@dr_ed_boogie) on

Still Tracking...

My own album with Mr. Linford K Hydes is taking it's sweet, precious time, but the electric guitars are very nearly done.... It'll be worth it. Promise ๐Ÿ’‹

Still tracking but it's worth it ๐ŸŒ

A photo posted by Eddie Al-Shakarchi (@dr_ed_boogie) on